Solo performance for an intimate audience.

Between a feeling of longing and frustration, dancer Ariel Gelbart acts and moves in the empty space as he communicates with invisible things. By subtracting elements from which the movement materials were developed, the audience becomes a witness to the body of the dancer being influenced and moved, without seeing the source or motivation for his actions. Are the invisible things his own demons? Or is it the environment and its powers - that which we have no control over - which cause his movement and the movement of all things? The solo offers a wonderment rather than any kind of answer. It invites the audience to experience a state (or perhaps current Zeitgeist) through one’s movement and gaze, and their relation to the coming and going sound. The words: almost, maybe, perhaps, approximately, roughly, more or less, somewhere, sometime, somehow, are perhaps the closest to grasp something about the experience described in the work.